The surah opens not on earth but in the sky — and not with prayer but with a military oath.
"By the aligners aligning. And the drivers driving. And the reciters of the Reminder" 37:1-3. Three categories of angelic function, each described by its action: those who stand in ranks like soldiers on parade, those who drive the clouds or drive away evil, and those who recite the divine reminder. The classical scholars debated whether these are three groups of angels or three functions of the same group. What is not debated is the image: heaven is not a place of passive serenity. It is ordered, disciplined, purposeful. The angels stand in formation because the cosmos requires governance, and governance requires structure.
From this celestial order, God draws the conclusion that will govern the entire surah: "Your God is indeed One. Lord of the heavens and the earth, and everything between them; and Lord of the Easts" 37:4-5. The plural — Easts, not East — is significant. Classical commentators understood this as the multiple points of sunrise across the seasons, the different horizons of different latitudes. The God who commands the angels commands every sunrise on every horizon. Monotheism is not a theological preference. It is a structural fact of the universe.
Then the scene shifts from military order to active combat. "We have adorned the lower heaven with the beauty of the planets. And guarded it against every defiant devil" 37:6-7. The same stars that decorate the night sky serve a second function: they are weapons. The jinn — beings of smokeless fire who exist in a dimension adjacent to human experience — attempt to eavesdrop on the deliberations of the angelic council, the Supernal Elite. And they are met with force: "They cannot eavesdrop on the Supernal Elite, for they get bombarded from every side. Repelled — they will have a lingering torment" 37:8-9.
The image is extraordinary and specific. The pre-Islamic Arabs believed in shooting stars as omens — random celestial events with no fixed meaning. The Quran repurposes the phenomenon entirely. Those streaks of light across the night sky are not omens. They are projectiles. "Except for him who snatches a fragment — he gets pursued by a piercing projectile" 37:10. A jinn who manages to steal a fragment of heavenly intelligence is hunted down by what the Arabic calls shihab thaqib — a piercing flame, a burning pursuer. The beauty of the night sky is also its security system. The stars are simultaneously ornament and arsenal.
This opening establishes the surah's fundamental architecture: order against chaos, obedience against rebellion, truth against eavesdropping and distortion. Every story that follows — the sinners in Hell, Ibrahim against the idolaters, Yunus in the whale — is a variation on this theme. There are those who stand in ranks, aligned with the divine order. And there are those who try to steal fragments of truth and distort them. The universe is built to repel the latter.
The Meccan audience understood the implication. Their idol-worship, their attribution of daughters to God, their persecution of Muhammad — all of it was the terrestrial equivalent of jinn eavesdropping on heaven. They were snatching fragments of truth — there is something beyond us, there is a power that governs — and distorting those fragments into polytheism. And the surah that opens with angels in military formation is about to pursue them with the burning projectile of argument.